Formed from the ashes of bleak hardcore band Canvas, guitarist Daniel Marsh, vocalist Ricky Clarke and bassist Jack Rogers decided to start a new project-with the sole purpose of having as much fun as possible. This is reflected in their eclectic mix of 90’s skate punk, alt rock and grunge, with copious amounts of sugar and caffeine. Music made by hardcore kids always seems to hit harder, and Out Of Love are no exception to that theory.
Cut to early 2020, after releasing the music video for S.L.U.M.P, Out Of Love were set to play their first hometown show until COVID set back everything they had worked so hard for.
Thankfully their time off the road was well spent, releasing two EP’s over the various lockdown periods, signing to Venn Records and gaining a significant amount of traction in a scene that desperately needed reviving. On a gloomy Wednesday afternoon, I sat down with Rogers- now fronting Out Of Love, over Zoom. It’s two days before the band’s debut sold out show in Milton Keynes and the anticipation is nail biting.
Hey Jack! How did you get involved in music in the first place?
I was exposed to like punk rock and hardcore from a very young age because I had cooler cousins that were older than me. They would just give me a box loads of CDs like Slipknot, Green Day, The Offspring. Whatever you could think of that was big in the 90’s they would chuck at me. I loved Slipknot. Then I found Dookie by Green Day. Burnout was the first track and like a light bulb went off in my head. And I was just like “Yeah this is cool, catchy poppy music”, but has an edge that I’d never experienced before. They were my gateway into these coasts of the West Coast, hardcore and punk scene and all the East Bay bands, like Descendents and NOFX, all that kinds of stuff. So I got really into that, which then obviously led to like discovering more of the hardcore kind of bands in that world. And yeah, I just started going to shows I saw, like, I saw my first concert was Green Day when they did in Milton Keynes in 2005 for the Bullet In A Bible live DVD.
I was also in some terrible cover bands in secondary school, covering Nirvana and shit. Then we formed Canvas, which we did really well with for five years. Sadly we weren’t around long and then that broke up, and then I was lucky enough to kind of join Acres and do some fill in for them and tour. Out Of Love was kind of born through just boredom with me and Dan really, he was someone that I’ve always written songs with.
Tell me about your first single “S.L.U.M.P” and where the lyrics came from?
“S.L.U.M.P” was just born out of frustration, again, really it was kind of a very , coming of age thing where in 2019 everyone around me was changing. I felt I was still in the same position I was when I was 18. I had this constant feeling of anger and jealousy, I don’t really know of where it came from. I kind of just felt like I was stuck in this, for lack of a better word, slump where I was trying my hardest to do things. Nothing was really working out. Everyone else around me was kind of growing up achieving these little milestones and I was stuck at home doing fuck all. So it’s about that really!
Does your band name refer to a relationship breakup, or doing something for someone else out of love?
It’s both, that’s what I love about it! We all consider this to be a passion project and we’re doing everything literally out of love for ourselves and the music we wanna write. Initially, it was just in the lyric of the song “S.L.U.M.P.”, we had the song before we had the band name. And then I got the band name while we were looking through the lyrics, we didn’t know what to call and I was like, Well, ‘Out Of Love’ fits perfectly. Naming your band is the hardest part when you start a new project, every band name is taken out of context and it sucks. So it’s totally fine. You can call your band whatever you want.
How the fuck are all of you so happy right now?
We’re just delusional, haha. I think lyrically I wouldn’t necessarily say that our music is that positive. All of it has an undertone or a mystique of pessimism and self doubt, but I think because it’s kind of sugar coated immediately with poppy riffs. In that sense it doesn’t have as much of a hard hit as if we were still writing angsty hardcore music.
How did you manage to record three EP’s without having played a single show?
It was the main thing that kept us all sane I think. If there was no creative output for us, and there was no abandon nothing to do, we’d all be in a completely different situation, we’d be kind of losing our minds, but the last year and a half, because there was nothing else to focus on, apart from writing music and recording music, we could just like, get our heads down and kind of still stay clear of all the noise and just focus on being creative.
What was it like performing at House Of Vans earlier this year?
I was really, really nervous. I think the rest I can’t speak for the rest of the guys, I’m pretty sure we were all shitting ourselves. Because I’ve always said like, I never really wanted to do a live session in any band I was in just because I know how bad most of them sound. But we’re really happy that the guys at Vans invited us down and we were stoked with the outcome. It was a great day. Everyone was super, super nice and supportive and we made some really good friends. Overall it was a great experience! I’m so glad we got to do it, even if it definitely felt like diving into the deep end.
All the songs are very short at the moment, what’s up with that?
I think we’re just really lazy. Nah I’m kidding! The only rule in this band is to have fun. If it feels right, do it and we never want to force anything into a song, If it’s not supposed to be there. If we write a song, and it’s a minute long, and it sounds great, it’ll be a minute longer if we write a song, and it’s 14 minutes long, and it sounds great. In the future some songs may be 14 minutes long as there’s no real rules, but at the moment we’re just hammering out, on average, two and a half minute tracks, and I think it keeps the listeners and me as well, because I’ve got such a short attention span. It kind of keeps me excited and engaged because anything after about three minutes, I kind of just switch the fuck off. I’d rather just listen to something short and sharp and then you face rather than kind of long doubt. And there’s those parts that I call that kind of give them everything they want and you’re trying to squeeze all of the energy into such a short space of time. I think it’s more important than loaning it out and, and boring people, especially with kind of music but yeah, the way I like catchy punky songs to be to be short, sharp and memorable.
I feel that, I love Self Defence Family but sometimes it feels like the songs just meander aimlessly. I also find it weird that Drug Church end up touring with so many tumblr friendly pop punk bands but maybe that’s just me!
Yeah I still don’t know why, I’m sure that probably kills Patrick (Kindlon) a little bit inside…
Tell me about Dog Daze? On my first listen I thought it was a more wholesome version of ‘I Wanna Be Your Dog’ by Iggy and The Stooges.
I was walking my dog one day and had the chorus/melody stuck in my head and was convinced that someone else wrote it. As soon as I got home I tried searching for it and luckily as far as I’m aware it was something original my brain made! That’s actually one of my biggest fears, writing a song, putting it out and then being like, “Oh my god, that sounds just like that’s like I had no idea”.
Initially I wrote it about loving someone the way you love an animal and how unconditional it is. You love them who they are and not like what they do or who they hang out with or whatever. Then after writing the lyrics I was like “No, this actually sounds like I want to be like some sort of submissive person in a dominatrix kind of relationship”. I sent it to the guys and half of them were like, “Oh, this is really good”. And the other half were like “You’re fucking sick”.
So yeah, it’s been the funnest song to write, even the way we recorded it. In the last session, we put bongos in there and other percussion pieces. It was definitely fun to just mess around even the way the rhythm flows and stuff is completely different to what we’ve done. I’m really happy with how it turned out. I really, really like it.
What’s the deal with this third EP? You’ve released Sniffin Glue from it so far…
So it’s one of four tracks we recorded with Sam Bloor at Lower Lane Studios in Stoke On Trent last summer. We just decided “Fuck it, we’ll just go out there and record some songs again and see what happens”. So we just took a bunch of ideas and ran it off with my friend. We see him as like a sixth member of the band, we’ll run everything by him and he’ll be like, “This is shit, this is good”. He really kicks our butts into gear and makes us better musicians. So I can’t see us recording with anyone else right now. I can’t stress this enough like, he’s THE dude.
Has there been any clashes of opinions over songs so far?
I like to think we’re all on the same page. Really. It’s kind of again, the one where we have in the band is that if everyone’s enjoying it and it’s fun for everyone and it feels good for everyone, we’re going to do it. If it doesn’t feel good for one person. We’re not going to do it. So it’s really important that we all need to be behind what we’re doing. Whether that’s like the bands we play with, or the music we record or the merchant puts out, like everyone needs to be 100% behind it. Otherwise, it’s just not what we want to do.
Finally, what are you hoping to achieve out of these live shows?
I just want everyone to be included and just lose themselves for a minute and just forget about the bullshit that’s happening in their life. Just like a big just one big kind of A happy space where everyone can express themselves. We’re also happy to be playing shows with people we genuinely love. That dosen’t mean that support should be pigeonholed into bands that sound a bit like yours to fit a bill. One day we might have an acoustic opener or a rapper, who knows? I think there’s nothing worse than going and see one of your favourite bands and the support is just like a bad version of that headline.
Honestly, launching Out Of Love just before pandemic wasn’t ideal, so we’re happy to play anywhere. I couldn’t care less where it is or how many people are there. I just want to play shows now and we’re all really, really ready. Just try it out and see what happens I guess. Everyone is welcome no matter who you are, where you come from or what you believe in. Just don’t be a dick!
Sniffin Glue single is out now via Venn Records, listen here.
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