Juan Wauters releases ‘Unity’ featuring Cola Boyy

Juan Wauters has shared new single “Unity” with Cola Boyy from upcoming album Real Life Situations, set to be released on April 30th via Captured Tracks. This follows on from “Real” which Wauters released with Mac DeMarco and “Presentation” with Nick Hakim and Benamin.

The new single is an ode to 90’s hip-hop and is both a testament to the pairs longtime friendship as well as the time it was made in. Driven by a Fresh Prince Of Bell Air style laid back beat, the pair go back and forth with Wauters auto-tuned vocals delivering sweet melodies that perfectly swirl around Cola Boyy’s sharp delivery. It’s jazzy, it’s funky and most of all it reminds us all of those sweet friendships we’re missing at the moment.

Listen to the new track below.

Pink Siifu & Fly Anakin announce new EP ‘$mokebreak’

Photo by Jack Mckain

Pink Siifu and Fly Anakin have announced a new EP $mokebreak, set to be released on March 19th via Lex Records. They have also shared single from the EP “Open Up Shop” along with an accompanying music video directed by 30onme. The EP will feature guests including Mavi, Bruiser Brigade’s ZelooperZ, Chuck Strangers, and Black Noi$e.

This comes after the duo released their PinkSiifu album last year, which we named as one of the best of the year. Revisit our Best Of The Year List here.

Watch the new video below.

Madlib & Four Tet announce collaborative album, share new single

Photo by Carl Pocket/ Carolina Faruolo

Four Tet has announced a new collaborative album with Madlib Sound Ancestors, set to be released in January 2021. They have shared the first single from the project “Road Of The Lonely Ones” which was premiered on BBC 6 Music.

On Instagram Four Tet said “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.

Eothan Alapatt worked with us on the whole project guiding and advising and has now prepared the album for release. He’s had Bernie Grundman cut the vinyl and everything is in production and will be ready soon.”

Earlier in the year Four Tet released his 7th studio album Sixteen Oceans, read our full review here. Madlib also released Pardon My French with Karriem Riggins under the name Jahari Massamba Unit, paying homage to 70’s spiritual jazz.

Listen to the new single below.

The Worst Guys – Not So Bad EP Review

Self Released – 2020

Birmingham hip-hop duo The Worst Guys, Louis Prince and Joe Marsh, arrive with their debut EP Not So Bad. Recorded over the course of lockdown, sending demos and samples back and forth to each other, their debut project sees the duo tackle issues of racism, lockdown and self worth. Following on from two previously released singles in the year, the punchy “Platform” and minimalism infused “No Celebrations”, this EP celebrates the sound that The Worst Guys have developed so far, whilst simultaneously expanding their output into far greater and vibrant soundscapes.

What propels this EP further than the duo have ever gone is the vocal delivery from both Prince and Marsh. Prince’s hard hitting, potent rapped verses seamlessly juxtapose with Marsh’s melodic dreamy chorus lines. This is highlighted on “More Than Meets The Eye” as Prince’s punchy rapped bars are immediately fast flowing, but straight after comes Marsh’s woozy chorus lines of “And if I showed you that there’s more than meets the eye babe, would you try to shoot me down?” to later switch back to Prince’s lyrical flurry as the song descends into a synthesised euphoria of culminating melodies. And lyrically the duo are as assured as ever as they speak on themes of racial injustice on “Bittersweet”, “It’s hard to shake the feeling that some don’t like us here, another day another you makes some blood splatter, but we’ll peacefully protest to you that black lives matter”. Prince balancing the fine line of being politically charged whilst concurrently being earnest and evoking empathy from personal experience.

The Worst Guys got their name from the Childish Gambino song of the same name from 2013’s Because The Internet and their homage to Donald Glover doesn’t just stop with their name. Closer “Never Back Down” features some devastatingly blissful synthesiser melodies gliding over a beat that demands you to strut along to it, reminiscing in the sound that was found all over Glover’s 2013 sophomore album, especially “III. Telegraph Ave. (“Oakland” by Lloyd). However the production doesn’t just pay homage to their influences, it also sparks a new air of confidence in the duo. Experimenting with sinister minimalism on “Why U Mad?” as the disorienting sirens swirl and flash in and out in and out of the soundscape, providing a haunting and eerie platform for Prince’s unrelenting storytelling to go from strength to strength.

It’s not often you find artists that wear their influences on their sleeve, whilst conjunctively offering a sound that feels as vibrant in its ability to convey exactly what that artist is trying to deliver. Continually shifting and challenging what their sound can be, The Worst Guys have landed a debut EP that is unapologetically confident and enticing to listen to. In their interview with us the duo said they are yet to play a live show, however expect big things when the bass line of “Isolation On The Menu” hits the club floor.