Deep Tan share new video for “diamond horsetail”

Photo by Alex Matraxia

deep tan, the london based art-rock 3 piece have shared a new video for “diamond horsetail”, the title track from their new EP of the same name, released last Friday. Vinyl editions of the album will be available on July 22nd. Pre-order here.

The sleek guitars that have become a staple of the bands sound for sweep this track along, with it’s fidgeting groove keeping you locked in. There’s twists, turns and mind boggling movements in this three minute anthem of queer retribution. It’s disco but dark.

Watch the new video below!

Speaking about the new track the band said:

“It’s three minutes of menace, five litres of revenge: the title track of our new EP diamond horsetail is one we’re particularly excited to start playing live. also, KLF stans: there’s something for you in the outro.”

Listen to the full EP below!

deep tan 2022 tour dates
6 May – Focus Wales, Wrexham
7 May – Are You Listening Festival?, Reading 20 May – Zerox, Newcastle
21 May – The Great Eastern Festival, Edinburgh
22 May – Record Junkee, Sheffield 24 May – Rough Trade, Nottingham
25 May – Clwb Ifor Bach, Cardiff
27 May – Headrow House, Leeds
28 May – YES (Basement) (Mood Swings) Manchester 29 May – Hare & Hounds, Birmingham
1 Jun – Venue MOT, London
11 Jun – Long Division Festival, Wakefield, UK
16 Jul – Valkhof Festival, Nijmegen, Netherlands
17 Jul – Welcome to the Village, Leewarden, Netherlands 22-24 Jul – Truck Festival, Oxford
13 Aug – Frigjort Festival, Copenhagen, Denmark

TV Priest announce new album ‘My Other People’, share new single

Photo by Hollie Fernando

TV Priest have today announced new album My Other People, coming on June 17th via Sub Pop and shared new single “Bury Me In My Shoes”. Pre-order here. This follows on from 2021’s debut Uppers and will include previously released single “One Easy Thing”.

Listen to the new single below!

Frontman Charlie Drinkwater says of the album,

“My Other People is a more “open’” set of songs, both musically and in our themes; in the process of writing we found ourselves talking about things other than anger or aggression. We wanted to discuss love, loss and joy too. It’s a record about personal disintegration and destruction, but also rebuilding again after this. It’s also heavily rooted in place, the music being a very direct response to Britain and England in 2021, but in a more abstract and textural sense. A muddy field viewed from a train window between cities, a patch of wild flowers growing next to a motorway, sticky carpets in a suburban flat roof pub, pissing rain on an August bank holiday and the smell of diesel in an out of town supermarket car park. An angry, hopeful, shitty, beautiful island.”

Tracklisting

1. One Easy Thing

2. Bury Me In My Shoes

3. Limehouse Cut

4. I Have Learnt Nothing

5. It Was Beautiful

6. The Happiest Place On Earth

7. My Other People

8. The Breakers

9. Unravelling

10. It Was A Gift

11. I Am Safe Here

12. Sunland

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The band have also announced a run of tour dates which go on sale Thursday 31st March at 9am HERE. They’re also set for in-store performances to celebrate My Other People’s release week (June 17th – 23rd), which fans can gain entry to with proof of preorder through the participating retailers.

Fri. Jun. 17 – London, UK – Rough Trade East

Mon. Jun. 20 – Brighton, UK – Resident*

Tue. Jun. 21 – Southsea Portsmouth, UK – Pie & Vinyl*

Wed. Jun. 22 – Totnes, UK – Drift*

Thu. Jun. 23 – Leeds, UK – The Vinyl Whistle*

Sun. Oct. 30 – Bristol, UK – The Louisiana

Mon. Oct. 31 – Birmingham, UK – Hare & Hounds

Tue. Nov. 01 – Dublin, IE – The Workman’s Cellar

Thu. Nov. 03 – Manchester, UK – Yes (Pink Room)

Fri. Nov. 04 – Glasgow, UK – Broadcast

Sat. Nov. 05 – Leeds, UK – Belgrave Music Hall

Mon. Nov. 07 – Cambridge, UK  – Portland Arms

Tue. Nov. 08 – Leicester, UK – Firebug Bar

Thu. Nov. 10 – London, UK – Scala

Fri. Nov. 11 – Reading, UK -The Face Bar

Sat. Nov. 12 – Southampton, UK – The Joiners

Sun. Nov. 13 – Brighton, UK – Green Door Store

* Stripped down performances

deep tan share new single “beginners’ krav maga”

Photo by Alex Loveless

London-based post punk trio deep tan have shared new single “beginners’ krav maga” via Speedy Wunderground, their first single of the year which follows on from last years “tamu’s yiffing refuge” and their hollow scene EP, both released last year.

A funk-driven riff and tightly shifting drums propel the motion of this track forward, once again following on their minimalistic approach to post-punk; each element weaving over each other with a clockwork motion. “Night time checklist, keys in a fast, in the dark i can’t relax” they sing, detailing the thought process and emotions that all women feel when being outside at night. It’s horrendous and poignant and it’s why this track has so much weight to it when on the surface it may come across as more whimsical in nature. deep tan become brilliant in depth within subtlety.

Speaking about the track the band said:

“beginners’ krav maga” is a response to the idea that womxn should take self defense classes in order to feel safe on the street at night. womxn shouldn’t have to. yet it seems like every day there’s a new sarah everard, sabina nessa or aisling murphy. educate your sons, brothers, guy friends. male violence against womxn is an epidemic and it needs to stop, so we made a pop song to talk about it.

The band have also announced a new UK tour in May supporting independent venues, tickets are available here.

deep tan 2022 tour dates
20 May – Newcastle – Zerox

21 May – Edinburgh – The Great Eastern Festival
22 May – Sheffield – Record Junkee
24 May – Nottingham – Rough Trade
27 May – Leeds – Headrow House

28 May – Manchester – YES (Basement) (Mood Swings)
29 May – Birmingham – Hare & Hounds
1 Jun – London – Venue MOT

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Powerplant are here to make your life weird

Formed by frontman Theo Zhykharyev in 2017 initially as a bedroom project, Powerplant are a five-piece synth-punk collective based in London. The last show I ended up seeing before THE EVENT was Folly Group, Legss, and Powerplant at The Old Blue Last in March 2020. Shortly afterward, they became a band of great comfort to me during several lockdowns, especially periods where it felt like they became my own soundtrack to derealisation. It’s not exactly easy to pinpoint why their sound works, but the militant midi drums coupled with angular guitar riffs alongside the piercing retro synths evident in almost all of their work is a compelling combination. Think of The Coneheads but blended with the original DOOM soundtrack and an extra sense of dread. Zhykharyev spoke to us about how they created their sound, playing in Benidorm and their upcoming Dungeons and Dragons-inspired campaign soundtrack.

What was your life like between the release of your albums Dogs See Ghosts and People In The Sun?

Simpler times! I was doing my film BA and getting into cool new music and doing PP stuff half ironically for my own pleasure. But I guess over the years I kinda figured I want to do music more rather than film, you could probably tell with the growing effort in each project. But besides, in those two years, I want to say I met people that are my true friends to this day and very important occurrences happened in my life that I hold dearly that I guess opened my eyes to what existence really is or could be and what people are like?

Meline Gharibly
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I’ve noticed over the past few years how many different types of bills you’ve ended up on. What is the connection between Powerplant and the wider London hardcore scene?

Lloyd, who drums the drum, played/plays in many hc bands and we got onto many bills through that I suppose. But it’s probably mostly through friends putting on gigs and people wanting to have fun – I don’t remember! Lloyd being such a fast violent drummer definitely helps too! I think we are way less clean live, so it works.

What equipment do you use to deliver the dungeon synth sound?

It’s all MIDI! Well, like 85% or something. Which was very fun to work with, I used to be anti-MIDI and anything that’s not an audio recording in Logic. All this choice is fun but it will be the death of me. Plugin wise, I used Roland Sound Canvas that I heard in Daggerfall. It’s just a perfect early cheap midi that sounds amazing with a wobble, and another big plugin was Arturia’s DX7. Good sounds there. Harland Steed (President Evil, SMTB) did tape reruns at CORPUS and that made it not flat and computer sounding. It rocks!!!

I’ve noticed that a lot of your music has a sense of unknown nostalgia. Did you have any specific influences from your childhood that inspire your music?

I listened to 50 Cent when I was a kid, so at the moment probably I want to say no haha. But who knows what the future shall bring – let’s find out.

How was your recent show abroad in Benidorm?

It was a great time – it was a crazy time! Lots of good people there – good sound on stage! First time in Europe for me in a long time and half the city is like little England with every other place called ‘The Bulldog’ or ‘Churchill’. There was a 1 euro pizza slice place and a strip with sketchy sex shows. We swam and walked around – it was really good! Thank you Paloma!

Meline Gharibly

Tell us about this upcoming album and role-playing adventure module?

I kinda properly got into ‘Dungeon Synth Archives’ on YT in late 2020 and got super into it. I tried making some songs – it kinda happened and I just thought it would be an odd/funny thing to commit to. It was supposed to be like a one-two instrument thing originally and seemed like a good contrast with punk PP stuff I was working on that was all too many tracks. However, as time went on and got more serious I got about this I ended up complicating it more etc. ‘Stump Soup’ is looking to be 18 tracks and just under an hour. I think in the end it’s somewhere in between DS and comfy synth, so egg synth of comfy synth I dunno.

I don’t remember exactly where the idea to make an adventure module came from – maybe Cam suggested it, just like the whole DS album thing, but I’m not sure! I named the second track Herziegger’s Mansion after a homebrew DnD campaign I wrote, so maybe that went someplace afterward. In my head, it works very well as there isn’t much context to songs besides the track name, and the campaign is there to attach a personal story/relationship to songs, should be fun! I always wanted to print some stuff and keep it silly, so I’m excited about it all! My good friend and DM Tom Terry is doing most of the writing. I Gotta do it. But I guess throughout the whole thing main inspiration to actually do it all was the SFDD album and the quote/review from the Bandcamp release. It’s just perfect, it’s everything. And doing the whole instrumental album thing kinda makes sense because there was an instrumental skit on almost every release.

I saw that Powerplant was mentioned on /mu/ thread the other day, how did that make you feel?

It made me smile. The weirder the community the better, and I guess that’s just as odd as it gets. And if people are mentioning stuff on there I guess it’s somewhat really working. Used to get DS charts from /mu/ last year. 

Finally, what do you hope to do with Powerplant in 2022?

Man, at this point I just want something to do, I just want to have fun.

Pixie GF is out now, listen below!

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Black Country, New Road “Bread Song” Single Review

Photo by Rosie Foster

In anticipation for their second album, Ant’s From Up There, Black Country, New Road have dropped “Bread Song”, following previous single “Chaos Space Marine“.

“Bread Song” has cemented itself as a fan favourite through its debut back in February on a Bandcamp live session. The track is decisively more intimate and tender than “Chaos Space Marine”, focusing on delicate guitar lines that slowly build with lead singer Isaac Wood’s melancholic tone. Lyrically, Wood uses breadcrumbs in bed as a metaphor for rejected intimacy. By taking cues from the everyday, Wood makes the song all the more painfully relatable for listeners. The track is arguably one of the bands’ most emotive yet, as the pain and longing in Wood’s voice drives the rising violin and saxophone.


In reference to Bread Song, Wood states:


“We wanted to do the first chorus with no time signature. I went to see Steve Reich do Music for 18 Musicians and there’s a piece where a bar length is determined by the breadth of the clarinet player, they just play until they run out of breath. I wanted to try that with the whole band, where we don’t look at each other, we don’t make too many cues, we just try and play without time – but together.”

“Bread Song” emphasises the band’s talent for creating gorgeous, intricate textures in their instrumentation, as well as cementing Isaac Wood as one of the most interesting lyricists to have emerged over the past few years.

Listen to the track below!

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Fontaines D.C. – O2 Academy Leeds – 23/10/21 Live Review

Photo by Aimee Ferrier

Tightly packed into Leeds’ O2 Academy was a sold out crowd excited to see the biggest Irish band to have emerged over recent years, Fontaines D.C. After releasing their second album A Hero’s Death last year, this tour has given them a chance to perform it with the normality of touring pre-pandemic.

Confidently striding on stage, the band tossed roses into the eager crowd, before energetic drumbeats sounded in, and the band performed their second album’s titular track. I had not seen the band since January 2020, before we had any idea that gigs would be off the cards for a long while. Straight away, I could sense that a maturity and confidence had grown in the band since then, with lead singer Grian Chatten interacting with the crowd by waving at audience members on the balcony, and even tossing a piece of his tambourine into the front of the crowd.

The five piece alternated between playing tracks from A Hero’s Death and debut album Dogrel, however they orientated the set towards the latter, playing all but two of its eleven tracks. This might be due to the mellow slant of their sophomore album, leaving many of the tracks unsuitable for a high octane gig when played alongside the energetic tracks of Dogrel.

My personal highlight was “Too Real”, the anticipatory build up exploding into whirring guitars and an enthusiastic crowd to match. This segued straight into “Big”, another fan favourite – short but incredibly sweet. The anthemic choruses of most of their tracks allowed the audience to fully involve themselves in the splendour that Fontaines D.C. created.

The band were perfectly able to blend the more brooding, dulcet tones of certain tracks with their raucous, more explosive songs. “The Lotts” bridged the gap between the darker sounding “I Don’t Belong” and the rowdier “Living In America”. They proved themselves masters of curating the perfect setlist – the time seemed to fly by as the band never provided a dull moment.

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Photo by Aimee Ferrier

As “Boys In The Better Land” played with intensity and excitement evident in the band and crowd alike, I knew the gig was drawing to a close -however the absence of some of their biggest singles indicated an encore was still to come. The boys walked off stage, only to come back a few moments later for “Roy’s Tune”, the perfect moment to catch a breath before jumping into “Liberty Belle”, which had every member of the crowd holding out their arms and chanting the words along with Chatten.

Fontaines D.C. were able to sell out a venue with a 2,300 capacity and showed no struggle in projecting their musicality to every member of the crowd. With the strength of their musical outputs and speed in which they are able to do so, in no time at all I suspect they’ll be headlining bigger venues very soon.

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Black Country, New Road – Chaos Space Marine Single Review

After their Mercury Prize nominated debut For the First Time, Black Country, New Road have announced their second album, Ants From Up There, set to release 4th February 2022. With this announcement the genre-blending seven-piece have released the album’s first single, entitled Chaos Space Marine.


Black Country, New Road offer up their shortest track to date, structurally reminiscent of a pop song yet laden with jolting violins and abrupt drum beats that are trademark to the band’s sound. This is the most anthemic track the band have released so far, something out of their usual musical realm. The verses are backed by peppy piano that segues into a chanted, sing-along chorus that is inescapably catchy. The track travels with an anticipatory rhythm that builds beautifully into a slowed down outro, showcasing the band’s ability to retain effortless harmony with each other’s instruments.

Lyrically, the song maps out a journey of uncertainty, with lead singer Isaac Wood often contradicting himself throughout the track. However, there is one thing for certain – Wood’s belief that this “is the best song the band have ever written“. Black Country, New Road prove on “Chaos Space Marine” that they can condense their sound without compromising it; there is no shortage of sonic experimentation and fervent lyrical performance, all squeezed into a digestible 3 minutes and 36 seconds.

Listen to the new single below!

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Bambara announced mini LP ‘Love Is On My Mind’

Photo by Pooneh Ghana

Bambara have today announced a new mini album Love Is On My Mind, set to be released on February 25th 2022 via Wharf Cat Records. Pre-order here.

They have also shared western post-punk driven lead single “Mythic Love” which features Bria Salmena (Orville Peck/Frigs) and Drew Citron (Public Practice). It’s a love ballad with a killer punch, making you want to mosh and slow dance at the same time. Surely that could become a thing?

In ‘Mythic Love’ we see the two protagonists of the record meet for the first time.” Reid Bateh explains. “There’s an immediate attraction that seems almost out of their control. The song is about riding that first manic wave of infatuation wherever it leads, dismantling all of your previous associations with love along the way.

Listen to the new single below!

Tracklisting

1. Slither In The Rain
2. Mythic Love
3. Birds
4. Point and Shoot
5. Feel Like a Funeral
6. Little Wars

Black Country, New Road announce new album ‘Ants From Up There’, share new track

Photo by Rosie Foster

Black Country, New Road have detailed their new album Ants From Up There, set to be released on February 4th 2022 via Ninja Tune. This is the follow up to this years debut LP For The First Time which was nominated for the Mercury Prize.

The band have also shared new single “Chaos Space Marine”, which has been played on the bands recent UK tour. It’s “the best song we’ve ever written” says frontman Isaac Wood about the new single. We threw in every idea anyone had with that song. So the making of it was a really fast, whimsical approach – like throwing all the shit at the wall and just letting everything stick”.

Listen to the new single below!

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Ants From Up There will be available on Deluxe 4LP box set*, Collector’s edition bronze 2LP [d2c only], Limited edition blue 2LP, Standard black 2LP, Deluxe 2CD*, Standard CD, Cassette and Digital formats.

*Deluxe 4LP and 2CD versions feature ‘Live from the Queen Elizabeth Hall album. Read our review of the gig here.

Tracklisitng:

Intro
Chaos Space Marine
Concorde
Bread Song
Good Will Hunting
Haldern
Mark’s Theme
The Place Where He Inserted the Blade
Snow Globes
Basketball Shoes

The band have also announced a new run of UK/ IE tour dates which will also include their biggest headline show to date at The Roundhouse in London.

Fans who pre-order any format of “Ants From Up There” from the Black Country, New Road store, their Bandcamp page and the Ninja Tune shop, will be able to gain access to the pre-sale for the 2022 UK headline tour dates.

Tickets are available HERE

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This Is Out Of Love’s World (and we’re all invited!)

Photo by Ashley Bea Photography

Formed from the ashes of bleak hardcore band Canvas, guitarist Daniel Marsh, vocalist Ricky Clarke and bassist Jack Rogers decided to start a new project-with the sole purpose of having as much fun as possible. This is reflected in their eclectic mix of 90’s skate punk, alt rock and grunge, with copious amounts of sugar and caffeine. Music made by hardcore kids always seems to hit harder, and Out Of Love are no exception to that theory.

Cut to early 2020, after releasing the music video for S.L.U.M.P, Out Of Love were set to play their first hometown show until COVID set back everything they had worked so hard for. 

Thankfully their time off the road was well spent, releasing two EP’s over the various lockdown periods, signing to Venn Records and gaining a significant amount of traction in a scene that desperately needed reviving. On a gloomy Wednesday afternoon, I sat down with Rogers- now fronting Out Of Love, over Zoom. It’s two days before the band’s debut sold out show in Milton Keynes and the anticipation is nail biting.

Hey Jack! How did you get involved in music in the first place?

I was exposed to like punk rock and hardcore from a very young age because I had cooler cousins that were older than me. They would just give me a box loads of CDs like Slipknot, Green Day, The Offspring. Whatever you could think of that was big in the 90’s they would chuck at me. I loved Slipknot. Then I found Dookie by Green Day. Burnout was the first track and like a light bulb went off in my head. And I was just like “Yeah this is cool, catchy poppy music”, but has an edge that I’d never experienced before. They were my gateway into these coasts of the West Coast, hardcore and punk scene and all the East Bay bands, like Descendents and NOFX, all that kinds of stuff. So I got really into that, which then obviously led to like discovering more of the hardcore kind of bands in that world. And yeah, I just started going to shows I saw, like, I saw my first concert was Green Day when they did in Milton Keynes in 2005 for the Bullet In A Bible live DVD.

I was also in some terrible cover bands in secondary school, covering Nirvana and shit. Then we formed Canvas, which we did really well with for five years. Sadly we weren’t around long and then that broke up, and then I was lucky enough to kind of join Acres and do some fill in for them and tour. Out Of Love was kind of born through just boredom with me and Dan really, he was someone that I’ve always written songs with.

Tell me about your first single “S.L.U.M.P” and where the lyrics came from?

“S.L.U.M.P” was just born out of frustration, again, really it was kind of a very , coming of age thing where in 2019 everyone around me was changing. I felt I was still in the same position I was when I was 18. I had this constant feeling of anger and jealousy, I don’t really know of where it came from. I kind of just felt like I was stuck in this, for lack of a better word, slump where I was trying my hardest to do things. Nothing was really working out. Everyone else around me was kind of growing up achieving these little milestones and I was stuck at home doing fuck all. So it’s about that really!

Does your band name refer to a relationship breakup, or doing something for someone else out of love?

It’s both, that’s what I love about it! We all consider this to be a passion project and we’re doing everything literally out of love for ourselves and the music we wanna write. Initially, it was just in the lyric of the song “S.L.U.M.P.”, we had the song before we had the band name. And then I got the band name while we were looking through the lyrics, we didn’t know what to call and I was like, Well, ‘Out Of Love’ fits perfectly. Naming your band is the hardest part when you start a new project, every band name is taken out of context and it sucks. So it’s totally fine. You can call your band whatever you want.

How the fuck are all of you so happy right now?

We’re just delusional, haha.  I think lyrically I wouldn’t necessarily say that our music is that positive. All of it has an undertone or a mystique of pessimism and self doubt, but I think because it’s kind of sugar coated immediately with poppy riffs. In that sense it doesn’t have as much of a hard hit as if we were still writing angsty hardcore music. 

How did you manage to record three EP’s without having played a single show?

It was the main thing that kept us all sane I think. If there was no creative output for us, and there was no abandon nothing to do, we’d all be in a completely different situation, we’d be kind of losing our minds, but the last year and a half, because there was nothing else to focus on, apart from writing music and recording music, we could just like, get our heads down and kind of still stay clear of all the noise and just focus on being creative.

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What was it like performing at House Of Vans earlier this year?

I was really, really nervous. I think the rest I can’t speak for the rest of the guys, I’m pretty sure we were all shitting ourselves. Because I’ve always said like, I never really wanted to do a live session in any band I was in just because I know how bad most of them sound. But we’re really happy that the guys at Vans invited us down and we were stoked with the outcome. It was a great day. Everyone was super, super nice and supportive and we made some really good friends. Overall it was a great experience! I’m so glad we got to do it, even if it definitely felt like diving into the deep end.

All the songs are very short at the moment, what’s up with that?

I think we’re just really lazy. Nah I’m kidding! The only rule in this band is to have fun. If it feels right, do it and we never want to force anything into a song, If it’s not supposed to be there. If we write a song, and it’s a minute long, and it sounds great, it’ll be a minute longer if we write a song, and it’s 14 minutes long, and it sounds great. In the future some songs may be 14 minutes long as there’s no real rules, but at the moment we’re just hammering out, on average, two and a half minute tracks, and I think it keeps the listeners and me as well, because I’ve got such a short attention span. It kind of keeps me excited and engaged because anything after about three minutes, I kind of just switch the fuck off. I’d rather just listen to something short and sharp and then you face rather than kind of long doubt. And there’s those parts that I call that kind of give them everything they want and you’re trying to squeeze all of the energy into such a short space of time. I think it’s more important than loaning it out and, and boring people, especially with kind of music but yeah, the way I like catchy punky songs to be to be short, sharp and memorable.

I feel that, I love Self Defence Family but sometimes it feels like the songs just meander aimlessly. I also find it weird that Drug Church end up touring with so many tumblr friendly pop punk bands but maybe that’s just me!

Yeah I still don’t know why, I’m sure that probably kills Patrick (Kindlon) a little bit inside…

Tell me about Dog Daze? On my first listen I thought it was a more wholesome version of ‘I Wanna Be Your Dog’ by Iggy and The Stooges.

I was walking my dog one day and had the chorus/melody stuck in my head and was convinced that someone else wrote it. As soon as I got home I tried searching for it and luckily as far as I’m aware it was something original my brain made! That’s actually one of my biggest fears, writing a song, putting it out and then being like, “Oh my god, that sounds just like that’s like I had no idea”. 

Initially I wrote it about loving someone the way you love an animal and how unconditional it is. You love them who they are and not like what they do or who they hang out with or whatever. Then after writing the lyrics I was like “No, this actually sounds like I want to be like some sort of submissive person in a dominatrix kind of relationship”. I sent it to the guys and half of them were like, “Oh, this is really good”. And the other half were like “You’re fucking sick”.

So yeah, it’s been the funnest song to write, even the way we recorded it. In the last session, we put bongos in there and other percussion pieces. It was definitely fun to just mess around even the way the rhythm flows and stuff is completely different to what we’ve done. I’m really happy with how it turned out. I really, really like it.

What’s the deal with this third EP? You’ve released Sniffin Glue from it so far…

So it’s one of four tracks we recorded with Sam Bloor at Lower Lane Studios in Stoke On Trent last summer. We just decided “Fuck it, we’ll just go out there and record some songs again and see what happens”. So we just took a bunch of ideas and ran it off with my friend. We see him as like a sixth member of the band, we’ll run everything by him and he’ll be like, “This is shit, this is good”. He really kicks our butts into gear and makes us better musicians. So I can’t see us recording with anyone else right now. I can’t stress this enough like, he’s THE dude.

Has there been any clashes of opinions over songs so far?

I like to think we’re all on the same page. Really. It’s kind of again, the one where we have in the band is that if everyone’s enjoying it and it’s fun for everyone and it feels good for everyone, we’re going to do it. If it doesn’t feel good for one person. We’re not going to do it.  So it’s really important that we all need to be behind what we’re doing. Whether that’s like the bands we play with, or the music we record or the merchant puts out, like everyone needs to be 100% behind it. Otherwise, it’s just not what we want to do. 

Finally, what are you hoping to achieve out of these live shows?

I just want everyone to be included and just lose themselves for a minute and just forget about the bullshit that’s happening in their life. Just like a big just one big kind of A happy space where everyone can express themselves. We’re also happy to be playing shows with people we genuinely love. That dosen’t mean that support should be pigeonholed into bands that sound a bit like yours to fit a bill. One day we might have an acoustic opener or a rapper, who knows? I think there’s nothing worse than going and see one of your favourite bands and the support is just like a bad version of that headline.

Honestly, launching Out Of Love just before pandemic wasn’t ideal, so we’re happy to play anywhere. I couldn’t care less where it is or how many people are there. I just want to play shows now and we’re all really, really ready. Just try it out and see what happens I guess. Everyone is welcome no matter who you are, where you come from or what you believe in. Just don’t be a dick!

Sniffin Glue single is out now via Venn Records, listen here.

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